We spoke to Matt in preparation of what was going to happen on the day and he gave us a whole lot of ideas. He had drawn out some sketches of different shots we could use and we discussed what could work.
First of all he mentioned having the Pixel lights around Jonty facing outwards instead of on his DJ stand as if he was playing to an audience as it would be more effective and we could do more with the lights and colours. We decided it would be cool if Jonty almost activated the lights when he walks in to the scene and then, like the domino effect, the lights will scope round the desk.
We were also thinking about doing a crane shot of the dancers doing a lift. There will be nothing in the shot and then sally will be thrown in the air, getting into the frame and then the camera tilts back down with her. Below are the specific shots we would like to take of the dancers:
Matt suggested we use the track to weave in and out of the dancers and have them on either side with the camera moving directly forward. We could also have a dancer on the track and the camera facing them moving backwards whilst there are other dancers coming into shot when the camera passes them. With this, we could also track around the dancers and then when we shoot Jonty we could do the same shot so that when it comes to editing, it will look as though the camera is moving from the dancers, back to Jonty, back to the dancers etc.
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